1. Terminator Salvation Theme Music
2. Terminator Theme Song

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Terminator Salvation is a 2009 American military science fictionaction film directed by McG and written by John Brancato and Michael Ferris. It is the fourth installment of the Terminator film series, and stars Christian Bale and Sam Worthington, with Anton Yelchin, Moon Bloodgood, Bryce Dallas Howard, Common, Michael Ironside, and Helena Bonham Carter in supporting roles. In a departure from the previous installments, which were set between 1984 and 2004, and used time travel as a key plot element, Salvation is a post-apocalyptic film set in the year 2018, fourteen years after the events of 2003's Terminator 3: Rise of the Machines. It focuses on the war between Skynet's machine network and humanity, as the remnants of the world's military have united to form the Resistance to fight against Skynet's killing machines. Bale portrays John Connor, a Resistance fighter and central character, while Worthington portrays cyborg Marcus Wright. Yelchin plays a young Kyle Reese, a character first introduced in The Terminator, and the film depicts the origins of the T-800 (Model 101) Terminator.

After a troubled pre-production, with The Halcyon Company acquiring the rights from Andrew G. Vajna and Mario Kassar, and several writers working on the screenplay, filming began in May 2008 in New Mexico, and ran for 77 days. Terminator Salvation was released on May 21, 2009 by Warner Bros. Pictures in North America and by Columbia Pictures internationally, and grossed over $371 million worldwide and received mixed reviews. The film was intended to be the first installment of a second Terminator trilogy, set mainly in the future war. However, the direct sequels were canceled and a follow-up, Terminator Genisys,^[3] was released in 2015.

• 3Production
• 5Release
• 6Reception

Plot[edit]

In 2003, Dr. Serena Kogan of Cyberdyne Systems convinces death row inmate Marcus Wright to sign over his body for medical research following his execution. One year later, the automated Skynet system is activated and becomes self-aware; perceiving humans as a threat to its existence, it starts a nuclear holocaust to eradicate them in the event known as 'Judgment Day'.

In 2018, John Connor leads an attack on a Skynet base, where he discovers human prisoners and schematics for incorporating living tissue to a new type of Terminator, the T-800. John survives an explosion on the base, which is destroyed. Following John's departure, Marcus emerges from the base's wreckage and begins walking towards Los Angeles.

John returns to the Resistance headquarters located aboard a nuclear submarine and is briefed by General Hugh Ashdown that the Resistance has discovered a hidden signal containing a code protocol which they believe can initiate a shutdown of Skynet's machines. Working on this intelligence, the Resistance plans to launch an offensive against Skynet's headquarters in San Francisco. It is decided among the Resistance that the offensive will commence in four days, due to an intercepted kill-list created by Skynet, which plans to terminate the Resistance's command staff within the same time frame. John learns he is second on this list, following Kyle Reese. The Resistance leaders are unaware of Kyle's importance, but John knows that Kyle will eventually travel back in time and become his father (as seen in The Terminator), and realizes that Skynet has learned of this fact.

Arriving at the ruins of Los Angeles, Marcus encounters Kyle and a mute child named Star during a skirmish with Skynet's machines where Kyle and Star are subsequently abducted and taken prisoner by Skynet. Two Resistance A-10 airplanes are shot down while trying to intercept a machine transport. Marcus locates downed pilot Blair Williams. They then make their way to John's base, where thereafter, Marcus is wounded by a magnetic land mine. Attempting to save his life, the Resistance fighters discover that Marcus is actually a cyborg, with a mechanical endoskeleton and a partially artificial cerebral cortex. Although Marcus believes himself to be human, John and his wife Kate think that Marcus has been sent to execute him and orders him to be killed. Blair helps Marcus escape. During the pursuit, Marcus saves John's life from Skynet's hydrobots and the two make a bargain: Marcus will enter Skynet's headquarters in San Francisco, to help John rescue Kyle and the other prisoners, if he lets him live.

John pleads with General Ashdown to delay the offensive so he can formulate a plan to extract the human captives, but Ashdown refuses and relieves John of his command. However, the Resistance disobeys Ashdown's orders and instead, await John's signal. Marcus enters the base, interfaces with the computer, and disables perimeter defenses so that Connor can infiltrate the cellblock and release human prisoners. Marcus learns from Skynet (which assumes the form of Dr. Kogan on a screen), that he was resurrected and built into a machine to lure John to the base; when the Resistance launches its attack, John will be killed, achieving the goal that Skynet had failed to accomplish in the past. The hidden signal that the Resistance received earlier is revealed to be a ruse, and Skynet uses it to track down and destroy the command submarine with the Resistance leaders aboard.

Marcus tears out the hardware linking him to Skynet and assists John in battling the new T-800 (Model 101) Terminator, while John rigs together nuclear fuel cells identical to the ones that the previous T-800 used to destroy the T-X. Marcus is soon outclassed in strength and temporarily disabled until John comes to his aid, though he is stabbed through the heart by the T-800 from behind. Marcus destroys the T-800 by tearing its head off, and he, John, Kyle and Star are airlifted out, after which John destroys the base, taking thousands of unfinished T-800s with it. At a medical center, as John only barely clings onto life, Marcus offers his own heart for transplantation, sacrificing himself to save John. As he recovers, John radios to other Resistance fighters that, although this battle has been won, the war still continues.

Cast[edit]

Terminator Salvation Theme Music

• Christian Bale as John Connor. Director McG, deemed Bale 'the most credible action star in the world' during development.^[4] McG wanted Bale for Marcus, but the actor—even though he 'can't really remember why'—wanted to play John, and that led to the character's role getting expanded in rewrites of the script.^[5][6] Bale was the first person to be cast and signed on for the role in November 2007. McG talked extensively with Bale in the UK about the role while the latter was filming The Dark Knight, and they both agreed to proceed.^[7] Although a fan of the Terminator series, he was at first uninterested until McG convinced him the story would be character-based and not rely on special effects.^[4] They kept working on the story every day, along with Worthington.^[8] McG said Bale broke his hand punching a Terminator prop during filming.^[9] Bale spent six to eight hours each day with McG in the editing room to advise the finished product.^[10] In January 2018, Bale revealed he rejected the role three times before accepting it, in part to prove people who told him not to take the role wrong.^[11]
• Sam Worthington as Marcus Wright, a human-terminator hybrid experiment. Worthington compared Marcus to Dorothy (The Wonderful Wizard of Oz) and Alice (Alice's Adventures in Wonderland) due to being 'this person waking up in another world [who then] tries to find himself'.^[12]Terminator creator James Cameron personally recommended Worthington (whom he directed in Avatar) to McG.^[5][13]Russell Crowe also recommended him to McG. The director decided Worthington looked tougher than the 'great many of today's [waify] young male actors'.^[14] Worthington recalled Cameron told him 'the Terminator to make is the one with the war'.^[15] Worthington tore his intercostal muscles during the first weeks of filming but nevertheless insisted on performing his own stunts.^[14][16] McG once expressed interest in casting Christian Bale, Daniel Day-Lewis or Josh Brolin in the part.^[17][18] Brolin did talk to Bale and read a draft of the screenplay, which he found 'interesting and dark; ultimately, though, I didn't think it felt right'.^[19]
• Anton Yelchin as Kyle Reese, a teenage refugee and admirer of John Connor and the Resistance. As portrayed by Michael Biehn in The Terminator, he was sent back in time to 1984 to protect Sarah Connor to ensure the survival of the human race, and fathered John with her. Yelchin said he wanted to portray Kyle as Biehn did and not make him appear weaker because it was a younger version of the character. The difference in his portrayal lies in showing Kyle as intense, but not concentrated until he joins the resistance proper. Yelchin tried to convey Kyle's intensity by focusing on how fast Biehn appeared when running in the original film.^[20]
• Moon Bloodgood as Blair Williams, a 'no-nonsense and battle-hardened' pilot of the Resistance who suffers from survivor's guilt and serves as a romantic interest for Marcus.^[21][22] McG characterizes her as continuing the feminine strength that has been prominent throughout the franchise.^[23]
• Bryce Dallas Howard as Kate Connor, John's wife. Charlotte Gainsbourg was originally set to play the part, but left due to scheduling conflicts with another film.^[24] As portrayed by Claire Danes in the third film, Kate was a veterinarian; but in this film, she is now a physician. Howard suggested, as part of the character's backstory, that Kate studied medical books and interviewed many surviving doctors after the events of Judgment Day. The film's subject matter reminded her of developing countries, devastated by war and lacking basic supplies such as clean water, which 'reflects things that are going on currently in this privileged world that we are living in where there hasn't been an apocalypse and robots haven't taken over the world. I think that's something definitely for us to reinvestigate and that we continue to make choices for our own future to take that into consideration'.^[25] Howard focused on Kate 'being accustomed to fear and loss' because the character was a military brat.^[26]
• Common as Barnes, John's right-hand man.^[27] Common stated the character was not overly developed, being 'only just a bad-ass character, you know, really the big heavy of the movie', before McG's intervention. Common agreed with this, as 'I didn’t want to just be the big, bulky guy there' and worked on the emotional side, 'thinking about how it would be in a world that’s post-apocalyptic, a world where, you know, things have been destroyed and we’re really fighting for survival.'^[28]
• Helena Bonham Carter as Dr. Serena Kogan / Skynet: an ex-Cyberdyne scientist who convinces Marcus to donate his body for her research.^[29] Her face is later used by the Skynet computer to communicate with Marcus. Tilda Swinton was originally considered for the part, but Bonham Carter replaced her before filming. She accepted the part because her then-domestic partner, Tim Burton, was a Terminator fan. Her role was a 'small but pivotal' one and would only require ten days of shooting.^[30] However, on July 20, 2008, Bonham Carter delayed filming by a day,^[31] and was given an indefinite leave due to the death of four of her family members in a minibus accident in South Africa.^[32]
• Michael Ironside as General Hugh Ashdown, the leader of the Resistance.
• Roland Kickinger as T-800 'Model 101': the first Terminator covered in living tissue. Bodybuilder and actor Kickinger, who previously portrayed Schwarzenegger in the 2005 biographical film See Arnold Run, was his physical double on set. When asked about his role, Kickinger said it is 'Arnold's character in the first Terminator. That's basically my role, but 20 years before, so it establishes how the Terminator came about.'^[33]Polish strongman athlete Mariusz Pudzianowski was also considered for doubling Schwarzenegger.^[34] If Schwarzenegger had decided not to lend his appearance to the film, then John would have shot the T-800's face off before the audience got a good look at him.^[35]

• Arnold Schwarzenegger's facial likeness was utilized via CGI, with a mold of his face made in 1984 scanned to create the digital makeup.^[36] Schwarzenegger had to appear in this way, with archive audio, due to him being unavailable because he was serving as Governor of California.

• Jadagrace Berry as Star, an 8-year-old girl in Kyle's care.^[26] Born after Judgment Day, Star is mute due to the trauma of the post-apocalyptic world. Therefore, this has given her the unnatural ability to sense when a Skynet unit is approaching.^[23]
• Brian Steele as the T-600.
• Linda Hamilton as the uncredited voice of Sarah Connor. In the two scenes of the film, where John Connor played Sarah's recording tapes.^[37]

Production[edit]

Development[edit]

In 1999, two years after C2 Pictures purchased the rights, two Terminator films' premises were mapped out and were supposed to be developed simultaneously. Tedi Sarafian was hired to write Terminator 3: Rise of the Machines, which he eventually received shared story credit for, while David C. Wilson was to write Terminator 4. Before any revisions were done, T3 initially took place in 2001 and revolved around the first attacks between Skynet and humans. T4 would follow immediately afterward and centered primarily on the war seen in the first two films.^[38] Warner Bros. gave the film the codename 'Project Angel'.

Following the release of Terminator 3 in 2003, producers Andrew G. Vajna and Mario Kassar contracted Nick Stahl and Claire Danes to return as John Connor and Kate Brewster in another film.^[39] Director Jonathan Mostow helped develop the script, written by John Brancato and Michael Ferris, and was set to begin production in 2005 after completing another film. It was known by then that Arnold Schwarzenegger's role would be limited, as he had assumed office as Governor of California. The producers sought to have Warner Bros. finance the picture as they did for Terminator 3.^[40] In 2005, Stahl said John and Kate would be recast as the story jumped forward in time.^[41] By 2006, Metro-Goldwyn-Mayer (a successor to Orion Pictures and current owners of the Hemdale Film Corporation library, distributor and producer of the original film, respectively) was set to distribute the fourth film as part of the new CEO Harry Sloan's scheme to make the studio a viable Hollywood player.^[42]

On May 9, 2007, it was announced that production rights to the Terminator series had passed from the feuding Vajna and Kassar to the Halcyon Company. The producers hoped to start a new trilogy.^[43] The purchase was financed with a loan by Pacificor, a hedge fund from Santa Monica.^[44] By July 19, the project was in legal limbo due to a lawsuit between MGM and Halcyon subsidiary T Asset. MGM had an exclusive window of 30 days to negotiate for distribution of the Terminator films. When negotiating for Terminator 4, Halcyon rejected their initial proposal, and MGM suspended negotiations. After the 30 days were over, MGM claimed that the period during which negotiations were suspended did not count and their exclusive period was still open. Halcyon asked a court for an injunction allowing them to approach other distributors.^[45][46] Later, the lawsuit was settled and MGM got a 30-day right of first refusal to finance and distribute the fifth Terminator film.^[47]

Finally, Warner Bros. paid $60 million to acquire the United States distribution rights of Terminator Salvation; Sony Pictures also paid just over $100 million to acquire this film's distribution rights in all international territories.^[1]

Terminator Theme Song

Writing[edit]

McG signed on to direct, as the first two films were among his favorites, and he had even cast Robert Patrick (who played the T-1000) in his films.^[48] Though he was initially unsure about 'flogging a dead horse,'^[4] he felt the post-apocalyptic setting allowed the film to be different enough so as not to be just an inferior sequel. The idea that events in Terminator 2: Judgment Day and Terminator 3: Rise of the Machines altered the future allowed them to be flexible with their presentation of the futuristic world.^[49] McG met with the series' co-creator James Cameron, and, although he neither blessed nor denigrated the project, Cameron told the new director he had faced a similar challenge when following Ridley Scott's Alien with Aliens.^[4] He maintained two elements of the previous films; that John is an outsider to the authorities, and someone of future importance is being protected, and in this film, it is Kyle Reese.^[50]

The first full screenplay for the film was written by Terminator 3 writers John Brancato and Michael Ferris, who received full screenplay credit. Paul Haggis rewrote Brancato and Ferris's script,^[51] and Shawn Ryan made another revision three weeks before filming.^[52]Jonathan Nolan also wrote on set, which led to McG to say, 'I would have to characterize Jonah as the lead writer of the film.' In response to whether or not Nolan would receive a writing credit for his contribution, McG went on to say, 'I don’t know how the WGA rules work, but honest to goodness, we did the heaviest lifting with Jonah.”^[49][53] Nolan contributed to the film after Bale signed on and created Connor's arc of becoming a leader.^[54] However due to the 2007–08 Writers Guild of America strike, Nolan had to abruptly leave the project due to another commitment.^[11]Anthony E. Zuiker contributed to the script as well.^[55] So extensive were the rewrites that Alan Dean Foster decided to rewrite the entire novelization after submitting it to his publisher because the compiled shooting script was very different from the one he was given beforehand.^[56]

In the early script drafts, John was a secondary character. Producer James Middleton explained 'Ben-Hur was influenced by Jesus Christ, but it was his story. Much in that way, this [new main] character will be influenced by John Connor.' ^[58]The original ending was to have John killed, and his image kept alive by the resistance by grafting his skin onto Marcus' cybernetic body. Marcus would have then murdered Kate, Barnes, Kyle, and Star.^[59][60][61] However, after the ending was leaked on the Internet, Warner Bros. decided to completely change the entire third act of the film.^[62] McG and Nolan did continue the Christ element of John's character though, in which he has some followers who believe what he knows about Skynet and others who do not.^[63]

McG described the film's theme as 'where you draw the line between machines and humans'.^[4] The friendship between Marcus—who was executed (for murder) when humanity still ruled the world—and Kyle Reese illustrates how war and suffering can bring out the best in people, such as when they worked together to survive during the Blitz.^[57] The title was derived from this second chance given to humanity and to Marcus, in addition to John's efforts to save humanity from the machines.^[64] The film's original title was Terminator Salvation: The Future Begins, but this was dropped during filming.^[57]

Throughout writing, the cast and crew would watch scenes from the three films to pick moments to reference or tribute, including 'Come with me if you want to live' and 'I'll be back', which is uttered by John in this film. McG found himself having to decide which ideas for references would be included and which would not.^[65] An opening scene has John fighting a Terminator on a crashed helicopter, which was storyboarded as an homage to the climax of the original film, where his mother Sarah, having broken her leg, is chased by a crippled Terminator. McG did this to reflect the skills John learned from her.^[14]

Filming[edit]

Terminator Salvation had a $200 million budget.^[1] The shooting of the film started on May 5, 2008, in New Mexico, with parts of the filming taking place at Kirtland Air Force Base, after the United States Air Force agreed to provide the crew guidance and aircraft.^[66][67][68] The filmmakers had originally intended to begin filming on March 15 in Budapest or Australia,^[69] but a 25 percent tax rebate and absence of an interest rate cap and floor made the filmmakers seek the cheaper New Mexico, because of their elevated budget.^[70] To avoid delays caused by a possible 2008 Screen Actors Guild strike in July, all exterior scenes were completed by then, so production could restart easily.^[71][72] The shoot ended on July 20, 2008,^[31] though some pick-ups took place in January 2009.^[73]

In addition to Bale breaking his hand and Worthington hurting his back, special effects technician Mike Menardis almost lost his leg filming an explosion. The sequence required a manhole cover being blown into the air, which hit Menardis and partially severed his leg. McG noted it was a testament to the gritty style of the film. 'I say with respect, I didn't want that Star Wars experience of everything's a blue screen, tennis balls, and go for it. I had Stan Winston build all the machines. We built all the sets, the explosive power, the explosive power so you feel that wind and that percussion and that heat blowing your eyebrows off. And with that, you get a couple bumps and bruises on the way, but you get it in an integrity and a realism that hopefully echoes Apocalypse Now. You couldn't say, 'Let's just shoot Apocalypse Now in Burbank, I think it's going to feel just as good.''^[64]

The film used Technicolor's Oz process during post-production. This is a partial silver retention on the interpositive, similar to bleach bypass, which will be used to lend to the sense of detachment from the modern world McG was looking for.^[8]Industrial Light & Magic developed shader programs to make the desaturated lighting of the CGI realistic and well-integrated to the on-set footage.^[74] The filmmakers consulted with many scientists about the effects of an abandoned world and nuclear winter.^[48] McG cited Mad Max 2, the original Star Wars trilogy and Children of Men, as well as the novel The Road, as his visual influences.^[4][48] He instructed his cast to read the latter as well as Do Androids Dream of Electric Sheep?^[31][49] Like Children of Men, McG would storyboard scenes so that it would be edited together to resemble a seamless, continuous shot.^[75] It took two weeks to film a two-minute shot of Connor getting caught up in a bombing on the Skynet base where he discovers plans for the T-800.^[76]

Design and special effects[edit]

McG sought to create as many 'in-camera' elements as possible to make the film more realistic.^[77] Many of the settings were hand-built, including an entire gas station for the Harvester attack scenes. The Terminator factory was built in an abandoned factory,^[66] and the design crew consulted robot manufacturer companies for a more realistic depiction.^[77] A 20-foot-tall (6.1 m) model built and detonated by Kerner Optical was used for the explosion of Skynet's 30-story San Francisco-based lab.^[57]

The majority of the machines were designed by Martin Laing, a crew member on Cameron's Titanic and Ghosts of the Abyss.^[78] McG described many of the machines as having an H. R. Giger influence.^[48] McG's intent was to create a gritty, tactile 2018 on screen, and Laing concurred the robots would have to be black and degraded as none of them are new. Laing devised Aerostats, which are smaller versions of the Aerial Hunter Killers from the previous films. The Aerostats send a signal to the 60-foot-tall (18 m) humanoid Harvesters. They are very big and slow, so they use Mototerminators to capture humans, and the Harvesters place them in Transporters. Laing was unsure of how to design the Transporters until he saw a cattle transport while driving through Albuquerque.

The film features the first aquatic Skynet robot, the Hydrobot, which Laing modeled on eels,^[57] and was built by the animatronics crew with its exterior made of metal-looking rubber so it could be used in the aquatic scenes.^[66]

The film features rubber-skinned T-600 and T-700 robots. McG interpreted Kyle Reese's description in the original film of the T-600 as being easy to spot by making them tall and bulky.^[4] For scenes of humans fighting with Terminators, the actors interacted with stuntmen wearing motion capture suits, later replaced by digital robots.^[77] For the Moto-Terminators, Ducati designers were hired to create the robots, and the on-screen robot was a combination of stuntmen driving actual Ducatis and a Moto-Terminator mock-up, as well as a digital Moto-Terminator.^[79] Visual effects studio Imaginary Forces created the Terminator point-of-view sequences, and tried to depict a simple interface, 'free of the frills—anything that a machine would not purely need', and with more software bugs and anomalies since the robots of Salvation were not as advanced as the Terminators from the previous films.^[80]

The majority of the special effects were done by Industrial Light & Magic. Salvation was one of the last films that Stan Winston, the visual effects supervisor on the first three films, worked on. He died on June 15, 2008, from multiple myeloma,^[81] and McG dedicated the film to him in the end credits.^[10] John Rosengrant and Charlie Gibson replaced Winston,^[78] and McG commented that they are 'trying to achieve something that's never been done before'^[82] and 'push the envelope'.^[83] Asylum Visual Effects created digital plates, Marcus' endoskeleton, and a digital T-600. Rising Sun Pictures did the digital correction of day for night scenes, the destruction of the submarine and Marcus' robot hand.^[84]

Music[edit]

Danny Elfman began composing the score in January 2009. Beforehand, McG wanted to hire Gustavo Santaolalla to work on the music for the human characters, while having either Thom Yorke or Jonny Greenwood for Skynet's themes.^[85][54] He wanted to discuss scoring the film with Hans Zimmer but he was unable to arrange a meeting. McG met with the original Terminator composer Brad Fiedel but was not interested in repeating the sounds Fiedel achieved in his films. However, McG wanted Elfman to give those themes and ambient sounds a 'Wagnerian quality'.^[50]

Reprise Records released the soundtrack on May 19, 2009, which included 15 tracks. While Common had expressed interest in writing a song for the soundtrack,^[86]Alice in Chains' 'Rooster' is the only featured song.^[87] Although not included in the soundtrack, 'You Could Be Mine' by Guns N' Roses, which was featured in Terminator 2: Judgment Day, can be heard briefly in a scene of the film as well.^[88]

All music composed by Danny Elfman except Rooster.

Controversies[edit]

During filming, Bale became angry with director of photography Shane Hurlbut for walking onto a set during a scene; he swore and screamed at Hurlbut and threatened to leave the film. Audio of Bale's tirade leaked to the public and went viral.^[89] Bale apologized publicly and said he resolved his differences with Hurlbut, stating that he sometimes has a problem with someone walking on set, and that when the incident took place they continued to work together for a number of hours that day.^[90] A satiricaldance remix song based on this incident titled, 'Bale Out' was created by composer Lucian Piane.^[91]

In March 2009, producer Moritz Borman filed a lawsuit against the Halcyon Company, seeking $160 million. Borman, who had arranged the transfer of the Terminator rights to Halcyon in May 2007, claimed the company's two managers, Derek Anderson and Victor Kubicek, had 'hijacked' the production and refused to give him his $2.5 million share of the production. Borman alleged budget overruns were the reasons Anderson and Kubicek did not pay him and that they had $1 million in debt.^[92] Nevertheless, an 'amicable' resolution was reached a month later.^[93]

Further complications occurred on May 20, 2009, when executive producer Peter D. Graves, who informed Anderson and Kubicek about the Terminator rights, filed a breach-of-contract claim for arbitration, alleging that they owe him $750,000.^[1]

Release[edit]

Marketing[edit]

On July 16, 2008, Warner Bros. debuted the film's teaser trailer on Yahoo!, accompanied by a voiceover by Christian Bale's character of John Connor.^[94] On November 25, 2008, Sony Pictures unveiled a motion poster, showing a T-800 with the words: 'Welcome to Los Angeles 2018'.^[95][96] In December 2008, the first theatrical trailer was released on the Apple website.^[97] In March 2009, the second trailer was released on Yahoo! Movies and was attached to Watchmen, accompanied by a remix version of Nine Inch Nails' 'The Day the World Went Away'.^[98] On May 8, 2009, the extended four-minute final trailer was released on Apple.^[99]

Initial screening[edit]

The film was released in North America on May 21, 2009, with Warner Bros. setting the American premiere on May 14, 2009, at the Grauman's Chinese Theatre in Hollywood.^[100] Elsewhere, Sony Pictures Entertainment released the film in most overseas territories on different dates in June. One exception was Mexico, however, because of the swine flu outbreak in the country, which forced Sony to push the release date to July 31, 2009.^[101]

It is rated PG-13 by the Motion Picture Association of America for 'intense sequences of sci-fi violence, action, and language,' unlike the first three films which are rated R.^[102] The decision to release the film with a PG-13 rating has met with much criticism from fans,^[103] as well as the media.^[104] The rating decision was made after McG cut out a shot of Marcus stabbing a thug with a screwdriver, as the director felt disallowing the young audience due to that one shot was unfair. He also deleted a topless scene for Moon Bloodgood because 'It was a soft moment between a man and a woman that was designed to echo the Kelly McGillis/Harrison Ford moment in Witness [but] in the end, it felt more like a gratuitous moment of a girl taking her top off in an action picture, and I didn't want that to convolute the story or the characters.'^[105] The producers had expected the rating because of the modern leniency toward violence in PG-13 films, such as the 2007 action film, Live Free or Die Hard.^[51]

Home media[edit]

The DVD and Blu-ray Disc of the film was released on December 1, 2009. The DVD contains the theatrical cut of the film with a featurette on the Moto-Terminators. The Blu-ray features both the theatrical cut and the R-rated Director's cut, which is three minutes longer (118 minutes), with bonus material including Maximum Movie Mode, a video commentary in which director McG talks about the film while it plays, featurettes, a video archive, and a digital comic of the first issue of the official film prequel comic. Both versions include a digital copy of the theatrical cut for portable media players.^[106]Target Stores will be the only retailer to carry the Director's Cut on DVD.^[107] On its first week of retail, Terminator Salvation debuted at the top spot of the Blu-ray charts, and second in the DVD charts, behind Night at the Museum: Battle of the Smithsonian. The film made $29,811,432 in domestic DVD sales bringing its total gross to $401,439,971 ^[108]

Tie-ins[edit]

In addition to the novelization by Alan Dean Foster, a prequel novel titled Terminator Salvation: From the Ashes by Timothy Zahn was released.^[109][110] Two further books were inspired by the film Cold War by Greg Cox and Trial by Fire, again by Zahn. IDW Publishing released a four-issue prequel comic, as well as an adaptation.^[111] It follows Connor rallying together the resistance in 2017, as well as examining normal people overcoming their intolerances to defeat Skynet.^[112]Dark Horse Comics released a twelve-issue sequel comic to the film, titled Terminator Salvation: The Final Battle by J. Michael Straczynski from 2013 to 2014.^[113]Playmates Toys, Sideshow Collectibles, Hot Toys, Character Options, and DC Unlimited produced merchandise,^[114][115] while Chrysler, Sony, Pizza Hut, and 7-Eleven were among the product placement partners.^[116][117] On May 23, 2009, a roller coaster named after the film opened at Six Flags Magic Mountain. In 2011, the ride was no longer licensed and renamed as Apocalypse: The Ride.^[118]

A third-person shooter video game of the same name was released on the same week of the release of the film.^[119] Christian Bale declined to lend his voice, so Gideon Emery voiced the character of John Connor. The game, however, features the voices of Common and Moon Bloodgood as Barnes and Blair Williams, respectively.^[120] Despite not appearing in the film, Rose McGowan voiced the character of Angie Salter, an ex-high school teacher.^[121] The game is set in 2016, after the events of Terminator 3: Rise of the Machines and before the events of Terminator Salvation. Another video game also titled Terminator Salvation was released in 2010 in the arcades. It's a light gun shooter developed by Play Mechanix and published by Raw Thrills.^[122]

On May 18, 2009, Machinima released Terminator Salvation: The Machinima Series, an animatedprequelweb series set before the video game, comprising six episodes.^[123] Twelve years after Judgment Day, Blair Williams (again voiced by Bloodgood) is fighting the war against the machines in downtown Los Angeles, while tracking down the computer hacker named Laz Howard (voiced by Cam Clarke) and trying to pursue him to join sides with the resistance. The series was created using real-time computer animation from the video game. It was distributed by Warner Premiere, produced by Wonderland Sound and Vision and The Halcyon Company and was released on DVD on November 3, 2009.^[124]

Reception[edit]

Box office[edit]

The film's first nationwide U.S. screenings on Thursday, May 21, 2009, made $3 million from midnight screenings and earned $13.3 million in its first day^[125] and grossed an additional $42,558,390 on its four-day Memorial Day opening weekend from 3,530 theaters.^[126] It debuted at number two behind Night at the Museum: Battle of the Smithsonian, giving it a lower first-weekend take than its predecessor, becoming the first film in the series not to open at number one^[127] and failing to meet Boxoffice Magazine predictions by 50%.^[128]Terminator Salvation was more successful in its international release, opening at number one in 66 of 70 territories through the first week of June,^[129] and continuing to be the highest-grossing film in the following week.^[130] The film's total domestic gross was $125,322,469, along with $246,030,532 from overseas territories, for a worldwide gross of $371,353,001.^[2][131] As of December 2009, the film ranks 14th for the year internationally and 23rd domestically (U.S. and Canada), which puts it below initial expectations in terms of domestic gross and first weekend, as well as overall global take.^{[132][133][134]}

Critical response[edit]

The review aggregator website Rotten Tomatoes reported that 33% of critics have given the film a positive review with an average rating of 5.05/10, based on 275 reviews. The website's critics consensus reads, 'With storytelling as robotic as the film's iconic villains, Terminator Salvation offers plenty of great effects but lacks the heart of the original films.'^[135] Similarly, Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the film has received an average score of 49 based on 46 reviews, indicating 'mixed or average reviews'.^[136]

Roger Ebert of the Chicago Sun-Times gave the film 2 out of 4 stars, saying that 'After scrutinizing the film, I offer you my summary of the story: Guy dies, finds himself resurrected, meets others, fights. That lasts for almost two hours.'^[137] Michael Rechtshaffen of The Hollywood Reporter wrote that the film isn't the same without Arnold Schwarzenegger and that it misses its dramatic element.^[138] Likewise, Claudia Puig of USA Today gave the film a 2/4 and called it 'predictable' with the 'dramatic elements flat-lin[ing]'. She considered Christian Bale's performance 'one-dimensional', but found his co-stars to 'come off better', saying Sam Worthington had 'a quiet intensity marred only by yelling 'Nooooo!' three times in about 10 minutes' and that Anton Yelchin had 'some of the best lines'.^[139]

Total Film's review gave the film 4/5 with its verdict: 'The Terminator story recharges with a post-apocalyptic jolt of energy. Frantic and full of welcome ties to the past, it also ploughs new ground with purpose. Fingers crossed McG will follow Cameron's lead and serve up a worthy sequel.'^[140] Devin Faraci of Empire magazine also gave a positive rating of four out of five stars, saying: 'McG has sparked a moribund franchise back to life, giving fans the post-apocalyptic action they've been craving since they first saw a metal foot crush a human skull two decades ago.'^[141] However, on CHUD, the latter said, 'Bale's desire to star as John Connor was probably the most fatal blow to the film; it completely distorted the shape of the story as it existed.' Furthermore, he expressed that the third act was when the film began falling apart, saying, 'McG and Nolan muddied the end of the picture, delivering action generics (yet another Terminator fight in a factory) while never finding their own hook that would give this movie more of an impact than you would get from an expanded universe novel.'^[142] In contrast, James Berardinelli considered the ending the best part of the film, feeling that the first two-thirds were 'rambling and disjointed' and that the lack of a central villain was only fixed when the T-800 appeared.^[143]

Betsy Sharkey of the Los Angeles Times stated that '[Bale's] strengths do not serve him, or the movie, as well here' and that 'when the story starts to crumble around Bale, Worthington is there to pick up the pieces'.^[144] Craig Sharp of FilmShaft gave the film 3/5, saying 'If you're looking for action then this is one damn good film! If it's character depth you're after then move along please.'^[145]A.O. Scott of the New York Times said the film has 'a brute integrity lacking in some of the other seasonal franchise movies' and 'efficient, reasonably swift storytelling'.^[146]Ben Lyons and Ben Mankiewicz gave the film a 'See It' and 'Skip It', respectively, on their show At the Movies with the latter mentioning that it 'is the worst big budget summer release I've seen in some time'.^[147]

Arnold Schwarzenegger, star of the preceding three films in the series, initially remarked that Terminator Salvation was 'a great film, I was very excited',^[148] but later reversed this position and said it was '..awful. It tried hard, not that they didn't try, the acting and everything. It missed the boat.'^[149]Terminator series creator James Cameron considered it an 'interesting film' that he 'didn't hate as much as I thought I was going to', and praised Sam Worthington's performance,^[150] but also said he would not return to the franchise: '[The series] has kind of run its course [..] frankly, the soup's already been pissed in by other film makers'.^[151] He also felt his two films were better than either of the later films.^[152]Linda Hamilton, who portrayed Sarah Connor in The Terminator and Terminator 2: Judgment Day and lent her voice to Terminator Salvation, wished the film 'all the best' but expressed her opinion that the series 'was perfect with two films. It was a complete circle, and it was enough in itself. But there will always be those who will try to milk the cow'.^[153]

In Reel Power: Hollywood Cinema and American Supremacy, Matthew Alford argued that with the fourth installment, 'the franchise had made a clear shift towards supporting establishment narratives, despite its earlier reservations' and that a 'central theme' is whether John Connor 'should prioritise striking a decisive military blow against the machines or rescue some captured humans, who are entombed—with shades of Auschwitz—by the Terminators'. '[T]he flashforwards from the first three Terminator films hinted at a horrible future scape of pain, deprivation and ad-hoc guerrilla warfare', he writes, but 'in contrast, producer Jeffrey Silver explained that the Department of Defense gave 'fantastic cooperation [to Salvation] because they recognized that in the future portrayed in this film, the military will still be the men and women who protect us, no matter what may come'. Alford concludes that 'for a world that is set just fifteen years after a global nuclear holocaust the survivors are fancifully healthy, not to mention hairy' and that this 'normalises the unthinkable'.^[154]

Accolades[edit]

The film was nominated for several awards in 2009–10.

Follow-up[edit]

While Terminator Salvation was initially intended to begin a new trilogy, production of a fifth film was halted by legal trouble, as well as The Halcyon Company filing for Chapter 11 bankruptcy protection.^[160] While some anonymous sources^[161] insisted that Terminator 5 would be moving forward, the majority of analysts predicted that its future was in jeopardy.^[162][163]

In late September 2009, it was announced that the rights to the franchise were once again up for sale as The Halcyon Company tried to pull itself out of bankruptcy.^[164]In late October 2009, Halcyon announced it would auction off the rights to future Terminator material and was seeking $60–70 million, though the only offer made was by director Joss Whedon for $10,000.^[165][166] In December 2009, Halcyon issued a statement saying that they were looking at various options including sale and refinancing of the rights with an announcement on the outcome no later than February 1, 2010.^[167] On February 8, 2010, an auction was held to determine the owner of the Terminator rights. After studios Sony Pictures and Lionsgate bid separately, Pacificor, the hedge fund that pushed Halcyon into bankruptcy, made a deal for $29.5 million. Pacificor hired an agency to sell off the rights to the franchise.^[168][169]

In August 2010, it was reported that a new Terminator film was being developed. The new film would not be a direct sequel to Salvation, but rather an animated reboot of the original series. It would have been entitled Terminator 3000 and would be shot by Hannover House.^[170] However, Pacificor, the owner of the rights to the Terminator franchise, had not given any official license to Hannover House to develop a new film.^[171][172]

On February 16, 2011, it was announced that Universal Studios was considering a fifth Terminator film with Arnold Schwarzenegger returning as the star and with Fast Five's Justin Lin directing along with Chris Morgan as the screenwriter. The discussions for the film had been in the very early stages.^[173] On April 27, 2011, it was announced that a rights package to a Terminator film, to which Schwarzenegger, Lin, and producer Robert W. Cort were attached, but no screenwriter, had been circulating among the studios. Universal, Sony and Lionsgate, and CBS Films had been some of the interested companies.^[174][175] According to sources close to Schwarzenegger, he had only wanted to commit fully if a good script could be created.^[176]

The 'Clocks' window shows the current clocks in real time. Clockgen.

It was reported on May 13, 2011, that Megan Ellison and her production company Annapurna Pictures won the rights to make at least two more Terminator films, including Terminator 5, in an auction deal that is rumored to have hit the $20 million mark.^[177] While Schwarzenegger was claimed to be up for a substantial role, the film would not be anchored by him; instead, a young male actor would take the lead. On December 4, 2012, a year and a half after negotiations were entered, the deal was finally closed. Ellison said that she and her brother David Ellison were 'starting from scratch as they seek out a screenwriter to plot the end'.^[178]

Terminator Genisys entered production, and was marketed as a reboot of the franchise, as the film significantly alters the chronological timeline within the film series. Genisys was intended to be the first of a trilogy, with Schwarzenegger reprising his role as the T-800. Principal photography began in April 2014, and the film was released on July 1, 2015.^[179] However despite the film's financial success, it received negative critical reception. James Cameron regained the rights to the film franchise in 2019, and will oversee all future installments in the franchise starting with Terminator: Dark Fate.

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External links[edit]

• Terminator Salvation on IMDb
• Terminator Salvation: The Official Movie Novelization title listing at the Internet Speculative Fiction Database
• Terminator Salvation at AllMovie
• Terminator Salvation at Metacritic
• Terminator Salvation at Box Office Mojo
• Terminator Salvation at Rotten Tomatoes
• Terminator Salvation at the TCM Movie Database
• Terminator Salvation at the Internet Movie Firearms Database

User reviews

Agent 9's audio work in this edit is great, replacing the soundtrack in parts of the movie with more classical Terminator-tunes, really heightens the enjoyment. I also liked the new colour for the movie.
Audio/Video-quality could have been better though, a bigger filesize (maybe even 1080p) and more bitrate for the audio-track (128kb/s is imho a bit too little for stereo, 320 kb/s would have been better).
Narrative wise, it all works and makes sense mostly, and the pacing is faster. But it felt like it was over just a bit too fast, maybe here and there a bit slower pacing would have helped. What I missed a bit was a bit more scenes for Marcus and Blair to help with their relation, so that it becomes more beliveable that she would help him escape.
I recommend this edit, especially because of the new soundtrack and colour, and if you like a fast pacing, you'll love this edit.

User Review

For all its flaws, the best looking of the Terminator flicks, featuring the best battle bots. The story seems written by a drugged out chimp, however. Comments about the ham-fisted direction are unnecessary. Agent9 tries to improve this with slight structural rearranging and heightened focus on “Marcus.”
Video - MPEG-4 1280 X 532p. Earlier reviewed mentioned issues with blacks and resolutions, but I detected none of that. Then again, they also referenced a 720p size. This is clearly much larger. Perhaps a V2. Contrast is sharp throughout.
Audio - 2 Channel AAC. 128 Kbps. Subtitles? No and yes. According to IEDB, editor commentary subtitles were available. Not muxed in, no link on the “unaffiliated site.” They would have been nice, but I didn’t want to contact and wait. The range is quite robust. Conversations and hollered commands often indecipherable. Audio levels fine for action, which is about 75% of this version.
Narrative - The plot in the original was poor, this version is better, though still not great. One cannot overcome the problem that Connor, leader of humankind, is more a cult figure, There are plot holes, and an utter lack of consequences for ignoring chain of command. Story, “find and rescue Reese,” far from compelling.
Enjoyment - One of those edits I “wanted” to enjoy. And while viewing, I did enjoy. Appreciate might be a better definition. I like the thought Agent9 gave to this, the subtle shift of the POV. Music alterations were imaginative and appropriate. The pace of this edit rocks!
Nevertheless, I still dislike the characters in this. Every - single - one. Connor has a memorable bit of speechifying where he says, “.. we are not machines. And if we behave like them, then what is the point in winning?' Yet all characters are little more than bots. There is neither personality nor humanity in any character. Worse, Connor is a dick. The action sequences blaze and explode, very diverting, but in the end, I couldn’t care less if humanity gets wiped in this movie.
So, I enjoyed this on a brain-slumber level, giggling as things go boom! Far as people, exterminate.

User Review

I waited a long time to see this Fanedit and i must say its not bad but it can be better. My main problem is that unlike many people i don't believe T4 is such a terrible movie (it is inferior to T1 and T2 but better than T3) but it lacked some good Brad Fiedel music. I was dissapointed that this edit make so little use of that, instead we have what i suppose is music from T3 (I dont even remember the music of that movie) and some of the original score of T4. Besides that i liked the color correction and that some of the editing. There are few things i dont believe should have been cut. One is the scene in the gas station, the other one is when Marcus fights some guys to help Blair, i dont know why that was cut, i believe without that it doesnt make much sense that Blair help Marcus. Sound sometimes have problems, some voices are too low, That it, beyond that its a decent editing.

User Review

Agent 9 has done a great job with this edit and I thoroughly enjoyed it. It really is better in every way compared to the theatrical release and will be go to copy moving forward. I echo many of the other reviews in the technical improvements this edit provides, but most importantly for me this 'feels' like a proper Terminator movie and that's the point. Well done!

User Review

Terminator Salvation is a really cool movie. And I'm inclined to say it's good. I think it's a little underrated - there was a lot of good set up in the film. I believe they could've made a fantastic sequel to it, but unfortunately that won't be happening. Of course, the filmmakers only have themselves to blame for making such an undercooked product. The action sequences are fantastic, along with the whole world they've created, but they've populated it with uninteresting characters and a near brain-dead plot. But many fun blockbusters have doldrum plot lines. It really is the characters that ruin this movie.
See, the problem is that they lack basic character development. Which makes us not care about them, which makes us not care about the movie. Unfortunately this brings me to my biggest criticism of Agent9's fan edit. He cuts out many of the very few scenes in the film that actually divulge character points. Worst off in this edit is Marcus (worst off is actually John Connor who barely has a single dimension; but that's present in the original film). While cutting the prison flashback and some of his talks with Kyle and Blair might work in making him appear to be a wholly new Skynet invention (rather than the brain of a human placed in a Terminator), it robs the film of its only interesting character (well Kyle's good but he has little screen time), in a way. Agent9's new version of Marcus is interesting, but there isn't material to properly flesh him out, so to speak. Plus, we never get to really see why Kyle and Blair become friends with him.
But here I am talking about the negative, when I should really be talking about the positive, considering the high score I'm giving this. I'll be brief, though, much of my feelings have already been covered by other reviewers.
Like I said before, Terminator Salvation is cool movie. That's the best thing it has going for it. So well done to Agent9 for making it even cooler. Firstly, he's removed the glaring plot hole that is the hit list, along with some other stupid bits. Secondly, he's recolored the film, and added some choice musical selections. All this amounts to a pretty awesome edit.
While characterization has been made worse by this edit, nearly everything else has been made better. What's left is a fast and action packed Terminator thrill ride. And maybe that's the best that can come from Terminator Salvation. If so, you'll be glad to know that Agent9 has done a fine job.

User Review